Exploiting the interactive capabilities of the medium, the artist enables users to explore and intervene in the world of an agoraphobic woman named Lorna. 1 A pioneer of “new media” art, she has in- troduced technological innovations in her work since the 1970s; her achievements in this field An early pioneer of new media artworks, Lynn Hershman Leeson explores the moral and ethical quandaries raised in a culture obsessed with technology and artifice. Mit »Lorna« erschafft Lynn Hershman Leeson erstmals in der Kunstgeschichte eine Arbeit auf einer Videodisk, welche die Interaktion der BenutzerInnen ermöglicht. Lorna, 1984, interactive videodisk installation, infinite duration, video stills. xi ROBIN HELD For thirty-five years, the San Francisco artist and filmmaker Lynn Hershman Leeson has ex-plored the relationship of spectatorship to identity. Her work combines art with social commentary, particularly on the relationship between people and technology. Seit Ende der 1970er-Jahre war mit der Entwicklung der Videodisk ein Speichermedium auf dem Markt, das die Eigenschaften des Videobandes mit der Möglichkeit eines direkten Eingriffs verband. Yerba Buena Center for the Arts is grateful to the City of San Francisco for its ongoing support. Lynn Hershman Leeson (born Cleveland, Ohio, US, 1941) is an American artist and filmmaker. It also led to Lorna and other technological forms. An early pioneer of new media artworks, Lynn Hershman Leeson explores the moral and ethical quandaries raised in a culture obsessed with technology and artifice. Lynn Hershman Leeson, Lorna, 1984. Lynn Hershman Leeson was born in Cleveland, Ohio, where her father had immigrated from Montreal. 1941) has been called a “prophet of our cybernetic condition” by the New York Times. Leeson's work in media-based technology helped legitimize digital art forms. Lynn Hershman Leeson (b. Leeson's work in media-based technology helped legitimize digital art forms. Courtesy Yerba Buena Center for the Arts, San Francisco. Edited by Peter Weibel, with contributions from thirteen renowned authors including Andreas Beitin, Pamela Lee, Laura Poitras, Ruby Rich, Jeffrey Schnapp, Kyle Stephan, Kristine Stiles, Ingeborg Reichle, and … Lynn Hershman Leeson: Cool Science The US pioneer of digital art discusses her passion for cutting-edge biology and its influence on her new multimedia exhibition, Anti-Bodies Installation view of Lynn Hershman Leeson: Civic Radar, Yerba Buena Center for the Arts, 2017. Lynn Hershman Leeson: Civic Radar is curated by Peter Weibel and Andreas Beitin, and organized by ZKM | Center for Art and Media Karlsruhe.The presentation at YBCA is organized by Lucía Sanromán, Director of Visual Arts, YBCA. Leeson's work in media-based technology helped legitimize digital art forms. Working in San Francisco since the mid-1960s, she developed digital alter-egos like Lorna to investigate how new technologies extend the body and psyche into virtual space. She holds a bachelor's degree in Education, Museum Administration and Fine Arts from Case Western Reserve University in Cleveland (1963) and a Master of Fine … Civic Radar presents the first comprehensive overview of Lynn Hershman Leeson’s work. Courtesy of the artist and Paule Anglim Gallery, San Francisco, Bridget Donahue Gallery, New York and Waldburger Wouters, Brussels. Lynn Hershman Leeson Works Solo Exhibitions Group Exhibitions Off-site Exhibitions Biography Press Pack Confessions of a Chameleon, Binge, First Person Plural, Shadow's Song, and Stay Human and the Composite Full Electronic Diaries, 1984-2019 Photo by John Foster Cartwright. Art, Technology & the Modern Era: An Interview with Lynn Hershman Leeson By Jennifer Sauer-Wednesday, January 31, 2018 “I do not see risks ever,” said Lynn Hershman Leeson. Lynn Hershman Leeson (born Cleveland, Ohio, US, 1941) is an American artist and filmmaker. With Lorna, Hershman Leeson created the first art work that used laserdisk technology. Her work combines art with social commentary, particularly on the relationship between people and technology.

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